Music Therapy
Graduate Music Therapy Audition Information
General Information about Auditions
Prior to auditioning for the Master of Science in Music Therapy degree program, all prospective students should first:
· Complete and submit the graduate degree program application to Molloy University.
· Submit official transcripts from all colleges and universities previously attended.
· Submit three letters of reference from former college professors and/or professional associates.
After applications are reviewed, qualified applicants will be invited to schedule an audition and interview. We look forward to meeting with you and hearing you play and sing at your audition.
Audition Dates
Friday, January 24, 2025. 10:00am–3:00pm
Saturday, February 8, 2025. 10:00am–3:00pm
Friday, March 28, 2025. 10:00am–3:00pm
Auditions are available in both Zoom or in-person formats. All applicants will be considered equally, regardless of the format selected.
Applicants interested in being considered for scholarships and Graduate Assistantships should plan to meet the following deadlines:
- February 1, 2025: Submit a complete admissions application.
- February 8, 2025: Complete an audition.
Remote auditions will take place entirely over synchronous video conferencing (e.g., Zoom, Skype) or using a combination of live video conferencing and pre-recorded videos. Pre recorded videos must be submitted five business days ahead of the scheduled audition to music@molloy.edu.
Here are some of the possibilities for what the remote auditions can look like, however we encourage you to contact us so we can help you determine what might be the best and most feasible option for you.
Audition components that need to be completed over live video conferencing
- Improvisation with panel member(s)
- Interview
Audition components in which pre-recorded videos are accepted:
- Two contrasting pieces on primary instrument (See Primary Instrument section)
- Play 2 guitar and 2 piano songs (See Guitar/Voice/Piano Proficiency section).
The recording(s) can be uploaded to YouTube and a link will be shared with panel members. You can set the link to "Unlisted," so that only those with a link can view the video. Your video will not be shared outside of Molloy Music faculty. If you need assistance with uploading a video recording, please contact us at music@molloy.edu and we can send instructions.
Materials required for remote auditions:
- Computer/laptop/tablet/phone with working video and audio
- Headphones with a built-in microphone is recommended for the interview portion of audition
Helpful tips for remote auditions:
Set up your space for success. This includes:
- Placing the computer/laptop/tablet/phone where you and the instrument you are playing can be seen AND heard. This includes angling your video so it is possible to see both of your hands on the keyboard and on the guitar as you play.
- Have the source of lighting directed towards you or from above. For example, a ceiling light will work or sit in front of a window/lamp with the camera not facing the window.
- Be aware of your surroundings in knowing that the faculty will see what is in the background.
Practice your audition by recording yourself to test your lighting and audio.
Primary Instrument:
You will perform two pieces or songs in two different styles/genres on your primary instrument. Your primary instrument is the main instrument you play with comfort and competency. This may include: piano, voice, guitar, percussion, or any wind or string instrument. If you have questions regarding your primary instrument, please reach out to music@molloy.edu.
Examples of contrasting pieces or songs:
- Different tempi (Fast and Slow)
- Different time periods (Baroque and Romantic; 1940s and 2010s)
- Different levels of expressiveness (Upbeat and Dramatic)
- One pre-composed and one self-composed, if you are a songwriter
- One song from your culture and one from another culture
- Different styles (Jazz and Gospel; Broadway and Pop; Hip Hop and Reggae; Hard Rock and Bluegrass; Country and R&B; two contrasting cultural pieces)
More Information about Primary instrument:
Repertoire choices for the audition can be in sheet music form and memorized if possible, especially for vocalists. Memorizing music is a necessary skill in order to remain present in sessions while attending to a client's needs. If you are bringing sheet music, please email two additional copies for the audition panel to music@molloy.edu five days prior to the live audition. If there is no score for your song, please provide an mp3 or YouTube link with good audio quality five days prior to your audition.
Guitar, Voice, and Piano Proficiency:
You will demonstrate basic proficiency by singing while accompanying yourself on piano and guitar. Be prepared to sing and play two different songs for piano and for guitar (for a total of 4 different songs prepared). We will choose a minimum of one of your prepared songs for each instrument.
Please see our song list on the website below. You should choose songs from the list but if you have a song in mind that is not in the list, please let us know ahead of time at music@molloy.edu.
Sight Reading:
After playing your two pieces and songs for the faculty, you will be asked to sight read and sight sing with your choice of accompanying instrument (either piano or guitar).
Sight reading is when you are asked to read and perform music without any previous preparation. The melody will be written out on the staff and there will be chord names above the staff. You will be asked to sing the words of the song and provide the chordal accompaniment on your choice of piano or guitar. The song you will sight read will be chosen by the Molloy Faculty Audition panel. You will be given a few moments to look over the song prior to playing for the panel. You will be asked to play and sing one verse/chorus of the song.
In music therapy sessions, clients often request songs that are meaningful to them. Therefore, sight reading is an important skill to obtain.
Helpful tips:
- Be mindful of the time signature and the key signature
- Find your starting note
- Look over the chords to ensure your readiness to play each chord
- No matter what happens, keep going!
Please see the below for an example of a lead sheet with chords and melody:
Reading musical notation:
Music therapists play and sing a wide variety of music from various cultures and traditions that is important to their clients' lives. Assessing your familiarity with Western musical notation is one way we will assess your overall musicality.
- We may ask you to identify treble and bass clef notes on the musical staff and play them on the keyboard.
- An audition panel member may ask you to repeat two musical ideas: 1) a short rhythmic pattern and 2) sing a short melodic phrase
- We may also ask you to read a short rhythmic phrase and clap it back.
Improvisation with Audition Panelist:
You will be asked to engage in improvisational singing with one of the audition panel members. The faculty panel member will begin by playing a harmonic progression on the piano or guitar and singing a short phrase. The panel member will leave a space for you to sing in response. The goal is to assess how you are able to naturally engage in musicing and "have a musical conversation." We understand that you may not have improvisational training and that's absolutely ok and not expected! Improvising during your audition will help us understand how you make music with and potentially for others, as this is what we do in music therapy.
Please view the YouTube video example of what "improvisation with audition panelist" may look like:
Interview
We will interview you to assess your compatibility for Molloy's music-centered psychotherapy graduate program. We encourage prospective students to research the field of music therapy, specifically music psychotherapy, prior to their audition/interview and/or observe or speak with a music therapist. We also encourage prospects to ask questions regarding the program during the interview.
If you are interested in learning about the use of music therapy in different communities and settings, you can look at our International Open Access Journal, Voices, A World Forum for Music Therapy, and search this website with keywords to locate articles that may be more tailored to your interests: https://voices.no/index.php/voices/search
Post-Audition Essay
We will ask you to write a short essay in response to a given text. Our administrative assistant, Coleen Petersen, will send you a short music therapy reading with some questions either immediately following your audition or at a time that is more convenient for you. You will have 30 minutes to write this essay.
The purpose of the essay is to get an idea about your writing in response to a given text. Your acceptance into the program will not be based upon your submission. The essay will give us ideas about how we can support you as a writer & scholar. We ask that you do not consult any references, seek editing help, and to please write in your own words.
Music Therapy Audition Song Choices
You will demonstrate basic proficiency on voice, piano, and guitar through accompanying
yourself. Be prepared to sing and play two different songs for piano and for guitar (for a total of
4 different songs prepared). If you have a song in mind that is not in the list, please let us know ahead of time at music@molloy.edu
Please choose your songs from the following song list. These are examples of music that might
be used in music therapy sessions with a variety of clients.
-
Children's Songs
Old MacDonald (Thomas d'Urfey), Down by the Bay (Raffi Cavoukian), This
Old Man (Malcolm Arnold), Alphabet Song (both versions), The Wheels on the Bus (Verna
Hills), If You’re Happy and You Know It (Isaak Dunayevsky, revised by Alfred B. Smith), Itsy
Bitsy Spider (Iza Trapani), Shake Your Sillies Out (Raffi), Twinkle Twinkle Little Star (Jane
Taylor), Head Shoulders Knees & Toes (1961 version), The “Train Song” (Tom Waits), Baby
Shark (Robin Davies), We All Sing With the Same Voice (Sesame Street), No One Like You
(Sesame Street), You Are Special (Fred Rogers), Sing a Song (Sesame Street), Rubber Duckie
(Sesame Street), Songs from Elizabeth Schwartz Book, Levin & Levin Book, NR Repertoire. -
Folk Songs
Down in the Valley (Lead Belly), If I Had a Hammer (Pete Seeger), Blowin’ in the
Wind (Bob Dylan), You Are My Sunshine (Jimmy Davis/Charles Mitchell), Home on the Range
(Daniel E. Kelly), On Top of Old Smokey (Tom Glazer), Red River Valley (Fred Mendelsohn &
Ira Mack), This Land is Your Land (Woodie Guthrie) , Greensleeves (Henry VIII), America the
Beautiful (Samuel A. Ward), Happy Birthday to You (Patty Hill) -
Spirituals
Amazing Grace, Down by the Riverside, Nobody Knows the Trouble I’ve Seen,
Swing Low Sweet Chariot, Go Tell it On the Mountain, He's Got the Whole World, Go Down
Moses, This Little Light of Mine *Many of these spirituals were written by people of African
descent, therefore we ask that you perform these songs in ways that honor their historical and
cultural context . -
Holiday Songs
Dreidel (Samuel Goldfarb), Oh Hanukkah (Mordkhe Rivesman) , Let it Snow
(Sammy Cahn), Winter Wonderland (Felix Bernard), Feliz Navidad (José Feliciano), All I Want
for Christmas (Mariah Carey & Walter Afanasieff), Have Yourself a Merry Little Christmas
(Ralph Blane), Silent Night (Franz Xaver Gruber), Frosty the Snowman (Walter E. Rollins),
Jingle Bells (James Pierpont) -
Jazz - Pop Songs
My Favorite Things (Rogers & Hammestein) As Time Goes By (Dooley Wilson), All
the Things You Are (Frank Sinatra), When I Fall in Love (Nat King Cole), The Girl from
Ipanema (Antonio Carlos Jobim), Here's that Rainy Day (Wes Montgomery), Somewhere Over
the Rainbow (Harold Arlend), When Sunny Gets Blue (Marvin Fisher), My Funny Valentine
(Richard Rodgers) , Days of Wine and Roses (Henri Mancini). -
Show Movie Tunes
When You Wish Upon A Star (Pinocchio), Cabaret (Cabaret), Edelweiss
(Sound of Music), Tomorrow (Annie), What I Did for Love, Getting to Know You (The King
and I), A Time for Us (Romeo and Juliet), People (Funny Girl), Memory (Cats), Climb Every
Mountain (Sound of Music), Where is Love (Oliver), Do Re Mi (Sound of Music), Impossible
Dream (Man of la Mancha), On a Clear Day (On a Clear Day You Can See Forever), Let It Go
(Frozen), Alexander Hamilton (Hamilton), My Shot (Hamilton), Who Lives, Who Dies, Who
Tells Your Story (Hamilton), She Used to Be Mine (Waitress) -
Blues
Steam Roller Blues (James Taylor; Elvis), St. Louis Blues (Bessie Smith), The Thrill is
Gone (B.B. King), Nobody Knows When You’re Down and Out (Jimmy Cox; Bessie Smith),
Everyday I Have the Blues (B.B. King)
Country (Contemporary & Classic): Blue Ain’t Your Color (Keith Urban), Wasted Time (Keith
Urban), Play it Again (Luke Bryan), Tennessee Whiskey (Chris Stapleton), Better Man (Little
Big Town), Ring of Fire (Johnny Cash), As Good As I Once Was (Toby Keith), The Gambler
(Kenny Rogers), 9 to 5 (Dolly Parton), Look What God Gave Her (Thomas Rhett), Crazy (Patsy
Cline), Love Story (Taylor Swift), Kiss an Angel Good Mornin’ (Charley Pride), For the First
Time (Darius Rucker) -
Classic Rock Pop
Yesterday (The Beatles), Ramble On (Led Zeppelin), Somebody to Love (Queen),
Don’t Stop Believing (Journey), Paint it Black (Rolling Stones), Candle in the Wind (Elton
John), The Longest Time (Billy Joel), Back in Black (AC/DC), How Sweet It Is (James Taylor),
Landslide (Fleetwood Mac), The Wind Cries Mary (Jimi Hendrix), Johnny B. Goode (Chuck
Berry) -
Rap/Hip Hop/R&B
Enemies (Post Malone feat. DaBaby), Old Town Road (Lil Nas X feat.
Billy Ray Cyrus), Talk (Khalid), Make It Better (Anderson .Paak feat. Smokey Robinson), Extra
(Lucky Daye), Worthy (India.Arie), I Am Light (India.Arie), Breath (The Grouch), What’s
Golden (Jurassic 5), Alphabet Aerobics (Blackalicious), Humble (Kendrick Lamar), The Show
Goes On (Lupe Fiasco), Out of My Mind (B.o.B feat. Nicki Minaj), Schizophrenia
(XXXTentacion), Stan (Eminem), Backstabbers (Junior M.A.F.I.A.), Insane in the Membrane
(Cypress Hill), Mind Playing Tricks on Me (Geto Boys) -
Hits from the 20's to 40's
Let Me Call You Sweetheart, Five Foot Two, For He’s a Jolly Good
Fellow, Ain’t She Sweet, Bicycle Built for Two, Sidewalks of New York, In the Good Old
Summertime, Good Night Ladies, Goodnight Irene, When the Saints Go Marching In, Yellow
Rose of Texas, My Wild Irish Rose, Accentuate the Positive -
Hits from 50's/60's
Love Me Tender (Elvis), Can’t Help Falling in Love (Elvis), Hello
Dolly (Louis Armstrong), All of Me (Frank Sinatra), Bei Mir Bist Du Schon (The Andrew
Sisters), Both Sides Now (Joni Mitchell), Hey Jude (The Beatles), The Sound of Silence (Simon
& Garfunkel), Blue Moon (The Marcels), Earth Angel (The Penguins), I Only Have Eyes For
You (The Flamingos), In The Still of the Night (The Five Satins), Stand By Me (Ben E. King),
Blueberry Hill (Fats Domino), One Fine Day (The Chiffons), Twist and Shout (The Beatles),
Save the Last Dance for Me (The Drifters), Raindrops Keep Falling On My Head (Burt
Bacharach), Under the Boardwalk (The Drifters), La Bamba (Los Lobos) -
Pop Hits from the 70's/80's
Wind Beneath My Wings (Bette Midler), You Light Up My Life
(Debby Boone), Desperado (The Eagles), The Rose (Bette Midler), Leaving on a Jet Plane (John
Denver), The Way We Were (Barbra Streisand), Time After Time (Cyndi Lauper), Blue Bayou
(Linda Ronstadt), Somewhere Out There (Linda Ronstadt), You've Got a Friend (Carole King;
James Taylor), I Can See Clearly Now (Jimmy Cliff), Moon Dance (Van Morrison), Three Little
Birds (Bob Marley), These Dreams (Heart), Heartbreaker (Pat Benatar), Imagine (John Lennon),
Bridge Over Troubled Water (Simon & Garfunkel), Lean on Me (Bill Withers) -
Pop/Rock Hits of the 90's
Wonderwall (Oasis), Waterfalls (TLC), Hold On (Wilson Phillips),
Freedom! ’90 (George Michael), Mr. Jones (Counting Crows), Don’t Speak (No Doubt), Creep
(Radiohead), Smells Like Teen Spirit (Nirvana) -
Contemporary 2010's (Top 40)
Hello (Adele), Sorry (Justin Bieber), Let Me Love You (DJ
Snake & Justin Bieber), Heathens (21 Pilots), Happy (Pharrell Williams), Someone Like You
(Adele), Bad Romance (Lady Gaga), Royals (Lorde), Roar (Katy Perry) -
Current Pop/Rock (2010-on)
Truth Hurts (Lizzo), Anyone (Demi Lovato), Memories
(Maroon 5), Adore You (Harry Styles), Rare (Selena Gomez), Bad Guy (Billie Eilish), Thank U,
Next (Ariana Grande), Only Human (Jonas Brothers), This Life (Vampire Weekend), Shallow
(Bradley Cooper and Lady Gaga), I Don’t Care (Ed Sheeran and Justin Bieber), Light On
(Maggie Rogers), Someone You Loved (Lewis Capaldi), Despacito (Justin Bieber, Luis Fonsi &
Daddy Yankee), You Are The Reason (Leona Lewis), ME! (Taylor Swift) -
Song Books
Levin, H (1998). Learning through music. Gilsum, NH: Barcelona Publishers.
Ritholz, M., & Robbins, C. (1999). Themes for therapy. New York, NY: Carl Fischer, LLC
Ritholz, M., & Robbins, C. (2003). More themes for therapy. New York, NY: Carl Fisher, LLC
Schwartz, E. (2012). You and me makes…we: A growing together songbook. Melrose, MA:
Center for Early Childhood Music Therapy, LLC -
Non-English Language Songs
Chinese: 茉莉花 (Mo Li Hua), 美丽的草原是我的家 (The Beautiful Grassland is My Home),
山丹丹花开红艳艳 (Red Flowers Blooming over the Mountain)
月亮代表我的心 (The moon represents my heart), 沧海一声笑 (Cang Hai Yi Sheng Xiao),
童年 (Childhood), 青花瓷 (Blue and white porcelain), 千里之外 (Far away)French: Alouette, Fais Dodo, La Vie en Rose
French Creole: Panamam Tombe, Carolina Caro
Hawaiian: Aloha Oe
Hebrew: Hatikvah, Hine Ma Tov, Shalom Chaverim, Havana Gila, Zum Gali Gali, Numi Numi,
Italian: O Sole Mio, Santa Lucia, Cuando Cuando Cuando
Japanese: Sakura, Furusato (Song of the hometown), Momiji” (Autumn leaves),
Yuyake-KoyakeKorean: 아리랑 (Arirang), 고향의 봄 (Spring in My Hometown), JajangGa 자장가 (Lullaby)
Spanish: De Colores, Los Pollitos Dicen, Arroz con Leche, A La Nanita Nana, Besame Mucho,
Guantanamera
Yiddish: Bei Mir Bist Du Schon, Tumbalalaika, Rozhinkes mit Mandlen (Raisins and Almonds)
Graduate Program Director
Dr. Seung-A Jung
Public Square
1000 Hempstead Ave
Rockville Centre, New York 11570